Music Notes 2-9-25
Mark Hayes is a composer/arranger/pianist based in Kansas City whose music is renowned
around the world. He got his degree in piano performance at Baylor University, moved to
Kansas City to work as a music editor for Tempo Publishing, and now spends his time writing
music for the church and traveling around the world as a clinician and guest conductor. When I
met Mark in the late 80’s, I was struck by his pianistic skills – more specifically, the way he
manhandled the piano into submission to produce the most wondrous sounds. Mark’s writing is
superbly crafted, with influences of black gospel and jazz. He’s one of my favorite
contemporary writers, and our wonderful accompanist Paul plays a lot of his music for our
postludes and preludes. If you play piano and want some music that will both challenge you and
satisfy your appetite for delicious piano music, pick up a book of Mark Hayes piano
improvisations. You’ll love it. This week’s anthem, Grace, is a setting of the old American
melody The Water Is Wide, using the words of Amazing Grace by John Newton. I first came
across this piece on YouTube, a recording by a Texas church choir with a big orchestra. I was so
impressed with the piece that I contacted the music director of the Texas church and asked him
who wrote the orchestration. He wrote back that Mark Hayes himself had written it, and it was
commercially available. Someday…
When The Saints Go Marching In is an American gospel hymn. It originated as a Christian
hymn, but is most usually played by Dixieland jazz bands. The origins are unclear, although it
appears to have evolved from several similarly titled pieces, including When the Saints Are
Marching In (1896) and When the Saints March In for Crowning (1908). The first known
recording of the tune was in 1923 by the Paramount Jubilee Singers. Although the record title
was listed as When The Saints Come Marching In, the group sings the modern lyrics of When
The Saints Go Marching In. Most early renditions were slow and stately, but began to pick up
the tempo as time went on. Louis Armstrong was the first to record the tune as a secular dance
number in 1938. He wrote that his sister informed him that she felt the “secular performance
style of the traditional church tune was inappropriate and irreligious”.
For All the Saints was written as a processional hymn by the Anglican Bishop of
Wakefield, William Walsham How. The hymn was first printed in Hymns for Saints' Days, and
Other Hymns, by Earl Nelson, 1864. The hymn was sung to the melody Sarum, by the Victorian
composer Joseph Barnby, until the publication of the English Hymnal in 1906. This hymnal used
a new setting by English composer Ralph Vaughan Williams, during his stint as editor of the
English Hymnal, which he called Sine Nomine (literally, "without name") in reference to its use
on the Feast of All Saints, November 1st (or the first Sunday in November, All Saints Sunday in
the Lutheran Church). It has been described as "one of the finest hymn tunes of the 20th
century." Although most English hymn tunes of its era are written for singing in SATB four-part
harmony, Sine Nomine is primarily unison (verses 1,2,3,7 and 8) with organ accompaniment;
three verses (4, 5 and 6) are set in sung harmony. The tune appears in this forms in most English
hymnbooks (for example English Hymnal (641), New English Hymnal (197), Common
Praise (232) and American hymnals (our hymnal, for example, The Hymnal 1982 and
the Lutheran Service Book (677).
Chris Tomlin was born in Texas in 1972 and learned to play guitar by playing along with Willy
Nelson recordings. He has become one of the dominant forces in contemporary Christian music,
and in 2012 CCLI announced that his songs were played 3 million times in churches that year.
His 2013 album Burning Lights debuted at No. 1 on the Billboard 200, only the fourth Christian
album ever to open at No. 1, and he was pronounced the most sung songwriter in the world that
year. In 2018, he was the 1 st Christian artist to receive the “Billionaire” award from Pandora for
reaching one billion Pandora streams. His song Amazing Grace/My Chains Are Gone was part
of the album See The Morning, his 4 th studio album that was released in 2006 and arguably was
the album that established him as one of the bright lights of the contemporary Christian music
world. In this song, he takes the beloved classic and adds a “chorus” to it, treating the words of
Amazing Grace as if they were the verses. His song Your Grace In Enough was released on the
album Arriving in 2004.